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The excitement for me as an artist lies not in exploring the unknown but in how I can effectively organise a visual arrangement that reflects the atmosphere and intensity of an environment, evoking a precise moment of the day under specific light and conditions. I hope you enjoy the work

Feature of the week  14/01/2018

  

Bus Stop Mile End

Bus Stop Mile End was the very first subject I painted when I moved to the East End in 1983. At that time I knew nothing of the existence of an earlier generation of artists who were concerned with this area. Even then I was already a bit out of step with my contemporaries who were more modernist in their approach to and treatments of motifs. But I wanted to tell the story just as I saw it. A sharp reminder of what I had observed happen in the Potteries of Stoke on Trent, where I had grown up. Isolated buildings picked off first, followed by whole streets demolished in swathes and with them a way of life that had supported and sustained a community for almost a century.

            
The building behind the bus stop was doomed in my eyes and I wanted to capture what remained before the bulldozers got to it. I was also struck by the chance encounter of two people coming together with the same objective, waiting for the bus to arrive. Did they have a conversation? Were they waiting for the same bus? Where are they now?

  
Less than a year later the building was demolished and the bus stop relocated. I had difficulty locating the spot where it and the building had stood when I visited the spot two years ago with Photographer Alex Pink and author of catalogue ‘Lost Time’ Fiona Atkins.

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This painting will be on display from Thursday, 18th January, until Saturday 10th February 2018 at:

Abbott & Holder

30 Museum Street-opposite the British Museum-

           London, WC1A 1LH

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